Azrael

Samara Weaving in Azrael

Some horror films scream for your attention - Azrael settles for an unsettling silence.

A World Where Words are a Sin

Azrael, set in a post-apocalyptic nightmare, thrusts viewers into a world where speaking is forbidden. Humanity’s few survivors have deemed speech sinful, with some even going so far as to sever their vocal cords. This chilling premise, reminiscent of the hushed terror found in A Quiet Place, brings an eerie tension to the film. But instead of monsters that respond to sound, Azrael delves into the horrors of human nature, making you question which is worse: the silence or the people trapped in it.

Samara Weaving carries the weight of this voiceless world on her shoulders, with a performance that is both raw & refined. She masterfully communicates through subtle physical expressions, making every twitch of her face & movement of her body scream louder than any dialogue could. With no words to rely on, Weaving's portrayal of the fierce, determined protagonist is a testament to her talent.

Samara Weaving in Azrael

Violence, Blood, & Broken Sanctuaries

If you’re into horror for its visceral thrills, Azrael doesn't disappoint. Brutal, gory, & relentless in its intensity, this is not a movie for the faint of heart. Director E.L. Katz turns the violence up to eleven, leaving little room for reprieve. From its nerve-wracking fight scenes to its jaw-dropping moments of carnage, the film ensures viewers are on the edge of their seats - perhaps with a hand half-covering their eyes.

Religious imagery plays a large role, but Azrael doesn’t tread the predictable exorcism route. Instead, it explores the darker side of faith with a matriarchal cult at the centre of the plot. Initially, the cult appears nurturing, a beacon in a hopeless world. But what lies beneath is far more sinister, twisting any sense of safety into dread. The blend of religion & violence offers a fresh twist for genre fans tired of the same old spiritual possession tropes.

A Bleak but Beautiful Finale

For all its intensity, Azrael saves its most haunting shot for the final moments. After the bloodshed & horror, there’s a flicker of hope - though one that feels disturbingly wrong. The film’s closing scene will likely leave audiences conflicted, contemplating the blurred lines between hope & malevolence. It’s the kind of ending that lingers long after the credits roll, making you question who the real monsters are: the creatures of fiction or the people around us.

While Azrael is not without its flaws - it struggles to maintain momentum at times, & the near-absence of dialogue may alienate some - the film’s chilling concept, raw performances, & gut-wrenching visuals make it a memorable entry into the horror genre. It’s a must-watch for those who crave their horror with a side of existential dread, but maybe skip it if you prefer a little light with your dark.

 
 

Support Pario Magazine

$2.50 / month

  • Early Access

subscribe

$5 / month

  • Early Access

  • Physical Print Issue

subscribe

$10 / month

  • Early Access

  • Physical Print Issue

  • Name Added To Publisher List

subscribe

 
 
Previous
Previous

The Moogai

Next
Next

Jaxon Carr